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As featured in Muso Mag  

 

Click here to find out about forthcoming performances by Sarah Louise Ings and her ensemble.

For availability please fill in our online booking form

Sarah completed her degree at Guildhall School of Music and Drama in 2003, studying with Simon Haram, Christian Forshaw and Rob Buckland.

Sarah is a truly inspirational musician, interested in all styles of music from Medieval and folk music to Jazz and Pop. She has had numerous experiences playing with Guildhall Contemporary Big Band and Repertoire Big Band, having jazz lessons with Martin Hathaway and Malcom Miles. Sarah works regularly and runs several chamber groups including: Sax4all and Vision.

The basis of Sarah’s training was classical. However she has always been interested in jazz and improvisation. Influenced by the ECM label, Sarah has combined the tone of classical sax and the freedom to express herself within improvisation, which jazz music holds so strongly. Improvisation is exciting for both the audience member and performer as you witness music being created on the spot. It’s from this that Sarah develops classical improvisation.

Sarah has always believed that just because she plays the saxophone does not mean that she should just play in a sax quartet. Sarah has initiated many creative ensembles, working with different combination of instruments, stimulating new works and arrangements. Sarah says, 'the possible sound worlds are endless'.

Sarah is a versatile musician, and plays the flute and clarinet to a professional doubling standard. As a child she wanted to play everything. Achieving grade 8 in voice, electronic organ, voice, sax and flute. Her doubling is often featured in many works of Sarah Llewellyn. Llewellyns’ music demonstrates that it’s not just West End shows that sax players use their doubling skills.

Sarah’s love to party, dance and enjoy life, has encouraged her to look for ways in which to present live music, making it visually stimulating as well as pleasant to the ear. Having a strong passion for art and photography, achieving A at A level and having studied alongside leading actors from the Guildhall school of music and drama Sarah aims to combine these experiences to create a new and exciting show.

Challenging the audience of the pop, looking at ways to entertain her audience. Sarah aims to revolutionise the concert platform, with audience participation, suspense and excitement. Influenced by West End show Stomp, Jan Garbareck and Courtney Pine.

Previous Engagements include:

·  UK tour with Vision, Yamaha and Classic FM, Oct 2003.

·  Hackney Empire, audience with Prince Charles, Vision, Nov 2003

·  NEC, Birmingham, Vision, Nov 2003

·  City of London festival, performed collaborative works in concert with Brian ENO July 2002.

·  Aberdeen festival, Sax4all, Aug 2003.

·  Bath festival, annually since summer 2002

·  Spoleto festival, with the International New Music ensemble, performing L'Arte e la Fuga, May 2001, working with Berio

·  St. Martins on the field, lunchtime concert, Guildhall Saxophone ensemble

·  Royal Albert Hall, The Proms, July 2000, Guildhall chorus singing Berlioz Requiem, alongside Philharmonic chorus, conducted by Sir Colin Davis.

 

Sarah Louise Ings                              Repertoire List

Repertoire is mostly arranged or commissioned by new composers. It is through arrangements and workshop in rehearsals that we develop our unique sound, fusing together our training and influences from all over the world.

Ensemble Repertoire Includes:

Flight of the Bumble Bee        arr. Sarah Ings                               

Bagdhad,                               Sally Davies                           

And Again,                             arr. Sarah Ings                                   

Piazzolla suite,                        arr. Sarah Ings                                  

Mambo – West side story          arr. Rob Collinson                           

Chopin nocturne 48                  arr. Sarah Ings                              

Summer of Grace                     Karl Micheal, arr. Sarah Ings               

Folk Fusion                             arr Ollie Blackman                        

Body Percussion routine        Anna Friedmann                              

Fire Dance                              Annabel Johnson, arr. Sarah Ings

Pretty Waltz                           Andy Scott, arr. Sarah Ings

Schindlers List                        arr. Sarah Ings                             

Piano Sings                          Nyman arr. Sarah Ings                    

Our Love                                Sarah Llewellyn                          

Palladio                                  Karl Jeinkins, arr. Sarah Ings               

How Insensitive                       arr. Sarah Ings

We are also able to play a range of Brazilian standards on request.

Sax and piano duo includes:

Gate                                      G Fitkin                         

Sonata                             Creston                                                

Sonata                                Phil Woods                                       

Bob                                    G Fitkin                                  

Glass                                     G Fitkin                              

Out of the Cool                       Dave Heath                                 

Concertino                              Ibert                                               

Concerto                                M Torke                                        

Saxo Rhapsody                   Eric Coates                                       

 

Other Sax Repertoire:

Jim and Pam, Pam and Jim       G Fitkin solo                      

Interference                         Will Gregory     sax and tape              

Hard Fairy                         G Fitkin   two pianos and sax               

Anis                                   Sally Davis, sax and choir   

 

 

 

 

 

 

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‘Power and beauty of her performance was a high spot of the concert…sensuous nerve tingling Phil Woods sonata was riveting….’

Evening advertiser, Swindon

…Charming…played wonderfully, is very talented indeed’

Stratton Outlook

 

 

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